Monthly Archives

October 2023

In Blog Posts on
October 24, 2023

The Sanctuary of Lingering

Photo by Collyn Ware

All-devouring time, envious age,
Nought can escape you, and by slow degrees,
Worn by your teeth, all things will lingering die.
--Ovid 

Oh, all-devouring time, glutton with an insatiable appetite for things beautiful and dear! You’re the agent by which all things will lingering die: childhood, summer, beauty, life. The Roman poet Ovid understood how time gnaws away at the things and places, the moments and people we’d most like to preserve. When I look at this photo–my granddaughter’s hands framing her bright 4-year-old face, her eyes filled with promise, her hair honeyed against a backdrop of spring, everything green and greening–I can only sigh. How I’d like to linger in this loveliness, spend an afternoon with a dollhouse and a tea party for two. How I’d like to linger in those moments when our world was so intimate, so small that we had eyes only for each other. How I’d like to thumb my nose at time and burrow into all the best moments, pulling the quilt of their beauty and goodness around me.

When we linger, we’re most often reluctant to leave, and this reluctance creates a tension between now and then. In college, when I climbed into the back of a vintage convertible, hoisting a blue velvet cape behind me, I knew that my ride around the football field as homecoming queen would take a few scant minutes. The rhinestone crown they’d positioned on my head had begun to tilt precariously over my left eye, and as I pushed it back atop my head, we’d already rounded the first turn on the track and were heading down the straightaway on the visitors’ side. I remember thinking how desperately I wanted to be in the moment but couldn’t. I was painfully aware that time was passing quickly. I understood that the next morning I would wake up–robeless and crownless–as just another college coed. I wanted to linger in now but was ambushed by then.

In his novel, Enduring Love, Ian McEwan writes: I’m holding back, delaying the information. I’m lingering in the prior moment because it was a time when other outcomes were still. Possible. Both my father and mother were able to die in our family home, surrounded by family and friends. Inevitable as their impending deaths were, I recall those moments when I caught myself thinking that maybe, just maybe, the doctors were wrong. As our loved ones die, we may cling to a universal desire to linger in the prior moment because it was a time when other outcomes were still. Possible. Perhaps death isn’t the imminent outcome. Perhaps a miracle, perhaps recovery. Perhaps life. Time may tease us with hope for a different, a better outcome.

But time may tease us, too, with anguish as we watch those we love diminish before our eyes. A few weeks after my father had come home from the hospital to die, my mother turned to my sister and me in a private moment and said, “What if he lingers?” She didn’t have to elaborate, for we understood her greatest fears: that he would go and that he would stay. Here was the love of her life who, just weeks before, had walked miles each day through town, but was bed-bound now, waiting to die. Lingering can be such a cruel thing, as we watch the ones we love curl into themselves, leaving the world and us bit by bit, hour by hour. As much as we want them to stay, we also want them to go. As much as we want to hold on, grounding them with our great love, we also want to release them, sending them to heaven, whole and perfect.

In her novel, White Oleander, Janet Fitch writes: Life should always be like this. . . . Like lingering over a good meal. Oh, that time and life would not devour us, but rather linger with us over a good meal: a steaming pan of lasagna, a crisp salad, and a loaf of crusty artisan bread! This is lingering at its finest, a momentary stay against the knowledge that this, too, shall pass. I did my best lingering around my family’s dining room table at 611 West 27th Street in Kearney, NE. This is where I cut my teeth on philosophy and poetry, social and moral issues. During the hours I lingered around this table–the dessert served and dishes cleared–I grew up. I tried on ideas and arguments. I listened and learned. Even my mother agreed that the second-hand dining chairs she’d bought were terribly uncomfortable, but we all lingered, our bottoms numb but our heads and hearts full.

Like so many things, lingering is bittersweet. We may linger sweetly, willing the moments to pass more slowly. Or we may linger painfully, willing the moments to pass more quickly. In either case, we linger with a keen sense of who we were, are, and may be; what we had, have and may have; where we were, are and may go. Utterly human, we linger with our eyes fixed on earth and beyond.

In Requiem

The fishing dock that Boy Scout Troup 15 built
has been condemned.
Its legs are splayed unnaturally into the shallows
having lost all cartilage years ago.

Today, I think about ducking under the rope
that holds the cardboard sign reading:
Danger! Keep out!

I think about walking all the way to the edge
to test the structure’s will 
and my own mettle.

As the sun just begins to break
over the eastern tree line,
I find I’m unreasonably sad thinking that,
one day soon, the dock will fall, 
easing to its knees and into the forest of lily pads below,
succumbing to the elements it has braved 
for decades.

I find that I can’t stop imagining its death:

     the aging timbers laid to rest,
     algae slicking each plank with much,
     the water swallowing the structure whole
     to leave no trace of the spot
     where boys stood shoulder to shoulder to fish,
     their bobbers marking the surface
     with promise.

I can’t stop remembering my father in his final days,
how, just weeks before, he’d walked miles through town
and then how his legs went dormant,
their muscles molting beneath the blankets
on his hospital bed. 

And so, I will this dock to make a quick death—
to hurl itself into the water, the sound splitting
the dawn, the force swamping the cattails
below—

until finally, a moment of silence
for a life that had been.


In Blog Posts on
October 8, 2023

The Sanctuary of Sillage

Sillage, pronounced “see-yahzh”, is the French word for “wake”, like the wake of a ship in the water. In the perfume world, it refers to the scent trail that a perfume leaves behind as it evaporates. SALLE PRIVÉE.COM

In Joni Mitchell’s song, “Big Yellow Taxi,” she croons the famous line, “Don’t it always seem to go, that you don’t know what you’ve got till it’s gone.” Too often, it does seem to go this way. A few days ago, I was hiking in Rocky Mountain National Park, the fog squatting solidly on the mountain tops for hours until, at last, the sun sliced through, and the entire day broke open, the mountain peaks now sharply silhouetted against a true blue sky. And though I stood amazed–for a moment–I continued my hike, my pack weighing more heavily on my back as I completed my final mile. But this moment is rarely enough, for even as I marked the experience with a photograph and a sigh, I knew that I wouldn’t know what I’d gotten here until I’d left the park and drove across the plains towards home.

As I drove, I breathed in deeply and found the aromatic trail of pine filling me. It had been a day since I left the Rocky Mountains, but the sillage of pine hung on, refusing to evaporate. And it wasn’t just this scent trail. It was the visual trail of aspens that jewel the mountain sides, blindingly golden, almost fluorescent. And it wasn’t just this visual trail. It was the auditory trail of bugling elk and the bass notes of water coursing over rocks in the Big Thompson River. And it was the spiritual trail of women who came to this retreat to share their hearts and hopes and pain. It was all this–and more. This is the sanctuary of sillage, the place that follows you, an evanescent reminder of all that’s gone before.

In the world of perfumery, sillage is considered as one of the most distinctive, the most powerful characteristics of a fragrance. It’s measured as a person moves and dispenses a trail of scent. A perfume with great sillage refuses to stay close to the skin but rather takes to the air. And if you’re in the vicinity of one wearing this perfume, you’re the unbidden recipient of this scent trail. It may delight or repulse you, but it enters your nostrils and lives there for quite some time.

I remember tutoring a freshman in college who, in an apparent attempt to impress me, wore what had to have been an entire bottle of Brute cologne. My eyes watered furiously as we hunched over his essay draft and made our way through one tortured paragraph after another. When I left and entered the autumn air outside the campus library, I breathed deeply. The sillage of the last 45 minutes lived in every pore of me, and at the time, I was desperate to purge it, to live once again in a Faberge-free land. I confess, however, that for years the smell of Brute brought me right back to that cubicle in Calvin T. Ryan library and that boy who wrote of his first search and recovery dive for the city of Omaha. In that cloud of Brute, he shared the trauma of finding a body, long submerged in the Missouri River, and his ongoing attempts to process this. To this day, the sillage of his raw confession is a scent stronger than Faberge could ever concoct.

Even the worst scents, the very scents that bring us wretching to our knees, may leave a bittersweet and necessary trail. The day that my third grade class took a field trip to the city meat-packing plant, I huddled in my bus seat, utterly and naively unprepared for the day. For months, I’d ridden over the viaduct where the meat-packing plant lived below, the foreign smells seeping through the bus. But when they ushered us onto the cut-and-kill floor, when the sickly scent of blood overpowered us, when even the sights before us cowered to the smell of death, that’s when I vowed not to eat meat again. It wasn’t so much a conscious decision as a foregone conclusion: I would live on peanut butter. Which I did for months to come, my mother lovingly placing the jar of Jiff on the table each meal. As an eight-year-old, the sillage of this field trip became a constant companion for months. I smelled death. I saw death when I closed my eyes each night. I walked with death as I spent time with my family and friends. In years to come, however, I grew to see this experience as my first coming-of-age rite. And as with all such initiations, this began a necessary–albeit painful–transition from childhood to adulthood, the recognition of mortality a trailing and persistent scent.

My father, Nebraska poet Don Welch, wrote: “We come to love by love, leaving less of who we are behind.” This is the sweetest sillage, a faint trail of our very essence: the top, middle, and bass notes mingling and lingering. At its best, this is a trail that leaves one wanting more, a trail that leads one to the possible chemical combustion of love, all the best notes of self brought forward to happily mix –undiluted–with another’s.

As I sit on my porch this afternoon, I breathe deeply and find the sillage of pine sliding into the scent of newly mown grass. I find the sillage of rich conversation with a host of incredible women sliding into the solitude which marks many of my Iowa days. The Colorado retreat now over, the scent that trails behind is a heady one that will catch the updraft of my remaining years.